Self-Portrait, Annibale Carracci, early 1580s
Annibale Carracci, portrétAnnibale CarracciItálie, 1560–1609

Self-Portrait

early 1580s · Drawing · 13.5 × 10.8 cm

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Kde je teď „Self-Portrait“? Sbírka: Muzeum J. Paula Gettyho, Los Angeles. Momentálně není vystaveno. Ověřeno 7. října 2026.

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O díle

The sad, staring eyes, prominent ears that sit a bit far back on the head, tousled hair, and the long flat nose identify this as Annibale Carracci. He assumed an informal pose, leaning slightly forward with his right elbow extending slightly beyond the frame's bottom and casting a shadow. As he drew himself in the mirror, his right hand was moving, resulting in the tangle of lines representing the left arm. Skeletal beasts with beaked heads and long necks peer down from the upper corners, reminders of mortality, and two beady-eyed dolphins with tails in the air inhabit the bottom corners. Carracci humorously portrayed himself here as a scruffy, ordinary individual. In a format usually reserved for formal, flattering portraits, he demonstrated his ability to quickly pick out the most important, expressive features.

Číst dál

In a display of originality, he leans forward out of the picture frame as if from a window. Francesco Maria Niccolò Gabburri, who assembled numerous drawn self-portraits and portraits of artists, once owned this sheet. He also owned the Getty Museum's *Self-portrait* by Gaetano Sabbatini, which shares the oval format. This drawing remains laid down on the original Gabburri mount, but it has been cut down drastically.

Muzeum J. Paula Gettyho

Podrobnosti

Inventární číslo
96.GA.323

V katalogu

Zdroje

V životě: Annibale Carracci

Celý životopis
  1. 1578–1595 · Působiště

    Bologna

  2. 1580 · Působiště

    Parma

  3. 1580 · Působiště

    Venice

  4. 1580–1581

    A journey around Italy with Agostino

    At the behest of the elder Ludovico Carracci, Annibale and Agostino travelled around Italy and studied the work of Titian, among others. From this came their interest in the glimmering colour taken from the Venetian painters.

  5. 1582

    Opens a studio-academy in Bologna

    In 1582 Annibale, his brother Agostino and his cousin Ludovico opened a painters’ studio in Bologna, at first called the Academy of the Desiderosi and then the Incamminati, “those opening a new way”. It is considered the first major art school based on life drawing and was the model for later art schools throughout Europe.

  6. 1587–1588

    A trip to Parma and Venice

    In 1587–88 Annibale is known to have travelled to Parma and then to Venice, where he joined his brother Agostino.

Všechna díla

Vystaveno: Muzeum J. Paula Gettyho

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