Benozzo GozzoliItálie, 1420–1497San Francesco
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Ritenuto dal Loser di sicura origine fiorentina, vicino allo stile del Beato Angelico, il disegno è stato inserito fra le opere di scuola dell'Angelico nelle due edizioni degli Indici del Berenson. Il Degenhart e la Schmidt hanno infine individuato nel foglio la copia di un disegno autografo di Benozzo Gozzoli conservato nel Nationalmuseum di Stoccolma (inv. n.89), che è lo studio preparatorio per l'affresco con il San Francesco a Montefalco, realizzato in controparte. Anche questo disegno presenta le caratteristiche dei fogli della scuola del Gozzoli ed in particolare di quelli del taccuino della bottega del Gozzoli, come affermano Degenhart e Schmidt. Il disegno proviene dalla collezione Bossi/ Celotti
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- Obrázek: Gallerie dell'Accademia — di Venezia · Beni Culturali Standard (BCS) · Catalogo generale dei Beni Culturali (ICCD – MiC)
V životě: Benozzo Gozzoli
Celý životopis1420
Born
1439–1440 and 1443–1444
Assistant to Fra Angelico at the convent of San Marco
According to Vasari, Fra Angelico was his master, though there is no further confirmation of this; in 1439–1440 and 1443–1444 Benozzo helps the master decorate the convent of San Marco in Florence. His established contributions are the “Adoration of the Magi” in Cosimo de' Medici's cell and the “Women at the Tomb” in cell 8 (these are dated 1440–1441).
1449
Leaving Fra Angelico: independent work in Umbria
Leaving Fra Angelico, he moves to Umbria and begins to work independently. Pope Nicholas V entrusts him with frescoes in the monastery of San Fortunato near Montefalco: a “Madonna and Child between St Francis and St Bernardine of Siena” and three other works, among them the altarpiece “Madonna of the Girdle” (now in the Vatican Museums), which shows how close Benozzo's early style is to Angelico's.
1467
Moving to Pisa and the commission for the Campo Santo frescoes
He leaves San Gimignano for Pisa (by other accounts in 1469), where he takes on the most extensive commission of his career: the murals of the Campo Santo, twenty-four Old Testament subjects from the “Drunkenness of Noah” to the “Visit of the Queen of Sheba to King Solomon”. His contract calls for three subjects a year at about ten ducats each, but in practice he paints only three pictures in two years.
1495
The French invasion forces him to leave Pisa
After the invasion of Italy by the French troops of Charles VIII he is forced to leave Pisa and return to Florence; the same year he goes to Pistoia, having received another prestigious commission: to decorate the interior of the town hall with frescoes.
4. října 1497
Died
