Peter Paul RubensVlámsko, 1577–1640Prometheus Bound
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Kde je teď „Prometheus Bound“? Sbírka: Muzeum umění ve Filadelfii, Philadelphia. Zda je dnes vystaveno, nevíme.
Philadelphia, Spojené státy americké
Vlastník je znám, dnešní vystavení nikoli.
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O obrazu
Prometheus Bound is an oil painting by Peter Paul Rubens, a Flemish Baroque artist from Antwerp. Influenced by the Greek play, Prometheus: The Friend of Man, Peter Paul Rubens completed this painting in his studio with collaboration from Frans Snyders, who rendered the eagle. It remained in his possession from 1612 to 1618, when it was traded in a group of paintings completed by Rubens, to Englishman Sir Dudley Carleton in exchange for his collection of classical statues. This work is currently in the collection of the Palais des Beaux-Arts de Lille.
Podrobnosti
- Inventární číslo
- W1950-3-1
V katalogu
Zdroje
- Wikidata
- Obrázek: Muzeum umění ve Filadelfii — Frans Snyders / Peter Paul Rubens · Public domain · Wikimedia Commons
V životě: Peter Paul Rubens
Celý životopisčervenec 1600 – 5. května 1608 · Působiště
Mantua
1606–1608
Commission for the High Altar of the Chiesa Nuova
With the assistance of Cardinal Jacopo Serra, Rubens received his most important commission to date — the high altar of the fashionable new Roman church of Santa Maria in Vallicella (Chiesa Nuova); the first version had to be replaced by a second on three slate panels.
28 October 1608
Departure from Italy Forever
Having finished the commission for the Oratorians, Rubens left Rome without permission on 28 October 1608, hurrying to his ailing mother; despite promises to return to Mantua, he never went back to Italy.
3. října 1609
Married: Isabella Brant
9 January 1610
Court Painter to the Archducal Couple
After being presented at court in August 1609, Rubens received his patent as court painter to Archduke Albert and the Infanta Isabella; at the same time he secured the right to remain working in Antwerp rather than Brussels, and to be paid a fee for each painting.
1621
Marie de' Medici's Commission for the Luxembourg Palace Cycles
The Queen Mother of France, Marie de' Medici, commissioned from Rubens two large allegorical cycles for the Luxembourg Palace — one on her own life and one on the life of the late Henry IV; the second series was never completed.
