
Maurits Cornelis EscherNizozemsko, 1898–1972Palm Tree
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Kde je teď „Palm Tree“? Sbírka: Národní galerie ve Washingtonu, Washington, D.C. Momentálně není vystaveno. Ověřeno 2. listopadu 2026.
Washington, D.C., Spojené státy americké
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O díle
Palm Tree, M. C. Escher’s woodcut from 1923, is part of Washington’s National Gallery of Art collection. Long fronds spread from the central tree above ground filled with upright strokes. The horizon remains low, leaving the palm to occupy most of the height. The image measures 37.5 by 28 centimetres and carries the engraved date July 1923.
Podrobnosti
- Inventární číslo
- 1983.110.6
Co zobrazuje
V katalogu
Zdroje
- Národní galerie ve Washingtonu
- Obrázek: Národní galerie ve Washingtonu — © the artist or rights holder
V životě: Maurits Cornelis Escher
Celý životopis1919–1922
The Haarlem school and his teacher Mesquita
In 1919 Escher entered the Haarlem School of Architecture and Decorative Arts, where he learned drawing and woodcut; he soon gave up architecture for decorative arts and graduated in 1922. A huge influence on him was his teacher, the artist Samuel de Mesquita, with whom he remained friends until 1944; he chose the career of an engraver rather than an oil painter quite deliberately — according to the scholar Hans Locher, he was drawn by the possibility of making many impressions.
1921
First journey abroad: Italy and the Riviera
In 1921 Escher travelled abroad for the first time, with his family, to northern Italy and the French Riviera: Italian Renaissance art made a very strong impression on him, he drew olive trees and began experiments with spheres and mirrors. His engravings illustrated his friend Ad van Stolk’s humorous booklet “Flor de Pascua”; the first work to sell in large numbers was “St Francis Preaching to the Birds”.
April – June 1922
Italy in the spring of 1922: San Gimignano and Siena
In April 1922 Escher left for Italy with two friends — by legend his mother saw him off with the words “My son, don’t smoke too much”. The friends soon turned back from Florence, but he went on to San Gimignano, drew Volterra and Siena, saw the fluorescent sea for the first time, spent the whole spring outside the city drawing landscapes, plants and insects, visited Assisi, Ravenna, Venice, Padua and Milan, and in June returned to Oosterbeek, intending to move to Italy for good.
1922
Spain and the Alhambra: the Moorish pattern
In September 1922 Escher sailed to Spain — Barcelona, Madrid, a bullfight, then Granada, where he studied the Moorish style at the Alhambra. The intricate geometric ornaments of the Alhambra — interlocking repetitive patterns in coloured tiles and carved into walls — woke his interest in the mathematics of tessellation and left a lasting mark on his work.
March 1923 – 12 May 1924
Jetta Umiker: from Ravello to the wedding
In March 1923 in Ravello Escher first met Jetta (Giulietta) Umiker, the daughter of a Swiss industrialist who until 1917 had managed two textile factories at Nakhabino near Moscow; he declared himself at the last moment, when her family was already leaving for Switzerland. They became engaged and married on 12 May 1924 in Viareggio; on their honeymoon — via Genoa, Annecy, Paris and Brussels — the couple travelled to Oosterbeek, and then returned to live in Italy.
12. června 1924
Married: Jetta Umiker








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