
Maurits Cornelis EscherNizozemsko, 1898–1972Manourie
Je k vidění?
Momentálně není vystaveno
Kde je teď „Manourie“? Sbírka: Národní galerie ve Washingtonu, Washington, D.C. Momentálně není vystaveno. Ověřeno 2. listopadu 2026.
Washington, D.C., Spojené státy americké
Patří do sbírky, ale momentálně není vystaveno.
- Ověřeno
- Tento stav platí od
- Zdroj
- Muzeum
O díle
On 3 August 1950 M. C. Escher dated his drawing Manourie, now in the National Gallery of Art’s Washington collection. Buildings with tiled and conical roofs stand among trees, viewed from above. Black crayon and white chalk work against grey laid paper. The sheet, a gift from Arthur G. Rosen, measures 23.2 by 30.7 centimetres.
Podrobnosti
- Inventární číslo
- 1985.72.2
Co zobrazuje
V katalogu
Zdroje
- Národní galerie ve Washingtonu
- Obrázek: Národní galerie ve Washingtonu — © the artist or rights holder
V životě: Maurits Cornelis Escher
Celý životopis1946–1951
Mezzotint: a brief experiment
In 1946 Escher became interested in intaglio printing, but it took too much time: until 1951 he made no more than seven mezzotint prints and never returned to intaglio, preferring tonal contrast to linear outline. These few works are considered masterpieces of the technique.
1949
Rotterdam: a large exhibition of graphic work
In 1949 Escher and two other artists held a large exhibition of their graphic work in Rotterdam; several works were sold, and the artists explained how they were made — Escher, for instance, said that for “Reptiles” he modelled a small plasticine figure and moved it across a table.
1950
The first solo exhibition in the USA
In 1950 Escher’s first solo exhibition in the USA was held in Washington; sales of his work in America rose sharply — in the mid-1950s he sold 150 prints through a Washington dealer for $2,125. In the 1950s Escher also became a popular public lecturer.
1951
“Time” and “Life”: worldwide fame
After two articles Escher became known in the USA: in late 1950 Israel Shenker, a correspondent of the British magazine “The Studio”, interviewed him (published in February 1951), and then “Time” (2 April) and “Life” (7 May) wrote about him. Popular in Europe but little known in America, the artist gained worldwide fame from that moment.








![Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478](https://api.nga.gov/iiif/8f29e3c9-a289-4d53-abf0-31a66e9e98fa/full/!2400,2400/0/default.jpg)
![Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478](https://api.nga.gov/iiif/ff62e8d0-45c4-498f-ad36-6358de827e04/full/!2400,2400/0/default.jpg)












