Head Study, Facing Right, Ernst Ludwig Kirchner, 1915–20
Ernst Ludwig Kirchner, portrétErnst Ludwig KirchnerNěmecko, 1880–1938

Head Study, Facing Right

1915–20 · Drawings, Works on Paper

Je k vidění?

Momentálně není vystaveno

Kde je teď „Head Study, Facing Right“? Sbírka: Minneapoliský institut umění, Minneapolis. Momentálně není vystaveno. Ověřeno 9. listopadu 2026.

Minneapoliský institut umění

Minneapolis, Spojené státy americké

Patří do sbírky, ale momentálně není vystaveno.

Ověřeno
Tento stav platí od
Zdroj
Muzeum
Vložit na web

Podrobnosti

Inventární číslo
2015.93.11

V katalogu

Zdroje

V životě: Ernst Ludwig Kirchner

Celý životopis
  1. 1913

    The “Brücke Chronicle” and the break-up of the group

    In 1913 Kirchner wrote the “Chronicle of the Brücke group,” in which, his comrades felt, he overstated his own role in its creation; a quarrel followed, Kirchner left the Brücke and the group fell apart.

  2. 1913

    First solo exhibition in Essen

    In 1913 the Folkwang Museum in Essen held Kirchner’s first solo exhibition, which established his individual identity beyond the group.

  3. September 1914

    Volunteers for the First World War

    In September 1914, at the outbreak of the First World War, Kirchner volunteered for military service.

  4. 1915

    Driver training in Halle and discharge

    In July 1915 Kirchner was sent to Halle an der Saale to train as a driver in the reserve unit of the 75th Mansfeld Field Artillery Regiment; after a mental breakdown his riding instructor, Professor Hans Fehr, arranged for Kirchner’s discharge from service.

  5. summer 1917

    The Reusch Hut on the Stafelalp

    Resenting Dr. Spengler’s constant watch and doing all he could to deceive him, Kirchner moved to the Reusch Hut on the Stafelalp in the summer of 1917; Erna Schilling stayed in Berlin, looking after the apartment and studio and keeping up commercial and personal contacts in Germany.

  6. 1918

    Moves to the “In den Lärchen” farm in Davos

    In 1918 Kirchner received a residence permit and moved to the “In den Lärchen” farm above Längmatte in Davos — first renting a room in the upper hut, and in 1919 the rooms above — and furnished it with furniture he carved himself; he wrote to Henry van de Velde of a beautiful old Grisons house with a kitchen like Rembrandt’s studio.

Všechna díla

Vystaveno: Minneapoliský institut umění

Stránka muzea