Fortuna, Albrecht Dürer, 1494-1497
Albrecht Dürer, portrétAlbrecht DürerNěmecko, 1471–1528

Fortuna

1494-1497 · Engraving

Je k vidění?

Momentálně není vystaveno

Kde je teď „Fortuna“? Sbírka: Státní muzeum umění, Kodaň. Momentálně není vystaveno. Ověřeno 2. listopadu 2026.

Patří do sbírky, ale momentálně není vystaveno.

Ověřeno
Tento stav platí od
Zdroj
Muzeum
Vložit na web

Podrobnosti

Inventární číslo
KKSgb9586

V katalogu

Zdroje

V životě: Albrecht Dürer

Celý životopis
  1. 1492

    Colmar: Schongauer had died before he arrived

    Dürer had hoped to meet Martin Schongauer, the celebrated copper engraver, but he had died on 2 February 1491. The master's brothers received the young man with honour and let him work in the workshop; probably with Ludwig Schongauer's help he learned engraving with the burin on copper.

  2. c. 1492 – 1494

    Basel: woodcuts for the printers

    In Basel, a centre of printing, Dürer stayed with Georg Schongauer. A woodblock for the title page of the Letters of St Jerome (1492), signed with his name on the back, led to the works of the “Master of the Bergmann Press” being attributed to him; he may also have worked on the woodcuts for Sebastian Brant's Ship of Fools.

  3. 1494

    Marries Agnes Frey

    Soon after returning to Nuremberg the 23-year-old Dürer married Agnes Frey, daughter of a prominent brass worker and amateur harpist; the match had been arranged in his absence, and marriage was required to open a workshop of his own. They had no children, and his letters suggest the marriage was not a happy one.

  4. 7. července 1494

    Married: Agnes Dürer

  5. 1494–1495

    First journey to Italy

    Within three months of the wedding Dürer left alone for Italy, perhaps fleeing an outbreak of plague in Nuremberg. Crossing the Alps he made watercolour landscapes; in Venice he studied its art and judged Giovanni Bellini the best of its painters; Mantegna and Pollaiuolo left their mark on him.

  6. 1495

    Opens his own workshop

    Dürer opened his own workshop in Nuremberg, where over the next ten years he created much of his printmaking. His godfather, the publisher Anton Koberger, helped issue the first series; the city's crafts were governed by the Council rather than guilds, leaving him free to try new techniques and sell his own impressions.

Všechna díla

Vystaveno: Státní muzeum umění

Stránka muzea