Ezekiel's Wheels, William Blake, 1800s
William Blake, portrétWilliam BlakeSpojené království, 1757–1827

Ezekiel's Wheels

1800s · Painting · 39.4 × 29.5 cm

Je k vidění?

Nevíme

Kde je teď „Ezekiel's Wheels“? Sbírka: Muzeum výtvarného umění, Boston. Zda je dnes vystaveno, nevíme.

Muzeum výtvarného umění

Boston, Spojené státy americké

Vlastník je znám, dnešní vystavení nikoli.

Tento stav platí od
Zdroj
Muzeum
Vložit na web

O obrazu

Ezekiel’s Wheels, made by William Blake in the 1800s, is in Boston’s Museum of Fine Arts. The scene depicts Ezekiel and draws on the biblical book bearing his name. Blake combined graphite, ink and watercolor on paper in an upright work measuring 39.4 by 29.5 centimetres.

Podrobnosti

Inventární číslo
90.108

V katalogu

Zdroje

  • Wikidata
  • Obrázek: Muzeum výtvarného umění — William Blake · Public domain · Wikimedia Commons

V životě: William Blake

Celý životopis
  1. 1800

    Moves to Felpham for his patron Hayley

    In 1800 Blake moved to a cottage at Felpham, in Sussex, to take up a job illustrating the works of William Hayley, a minor poet.

  2. 1803

    A fight with the soldier Schofield and a trial at Chichester

    In August 1803 Blake was involved in a physical altercation with a soldier, John Schofield, and was charged not only with assault but with uttering seditious and treasonable expressions against the King; Schofield claimed that Blake had exclaimed “Damn the king. The soldiers are all slaves.” Blake was cleared at the Chichester assizes.

  3. září 1803 – říjen 1803 · Bydliště

    Broadwick Street

  4. říjen 1803 – 1820 · Bydliště

    South Molton Street

  5. 1804

    Returns to London and begins “Jerusalem”

    In 1804 Blake returned to London and began to write and illustrate “Jerusalem: The Emanation of the Giant Albion” (1804–20), his most ambitious work.

  6. 1809

    An exhibition in his brother's shop: nothing sold

    Blake set up an independent exhibition in his brother's haberdashery shop at 27 Broad Street in Soho to market his version of “The Canterbury Pilgrims” along with other works. It was very poorly attended, sold none of the temperas or watercolours, and its only review, in The Examiner, was hostile.

Všechna díla

Ze sbírky: Muzeum výtvarného umění

Stránka muzea