Division, M.C. Escher, 1956
Maurits Cornelis Escher, portrétMaurits Cornelis EscherNizozemsko, 1898–1972

Division

1956 · Print

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Kde je teď „Division“? Sbírka: Národní galerie ve Washingtonu, Washington, D.C. Momentálně není vystaveno. Ověřeno 2. listopadu 2026.

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O díle

Division, M. C. Escher’s woodcut of 1956, belongs to Washington’s National Gallery of Art. Interlocking animal forms occupy a circular pattern with an uneven, wavy edge. This impression records the second state, though the total number of states is uncertain. It comes from the collection of Cornelius Van S. Roosevelt.

Podrobnosti

Inventární číslo
1974.28.64

Co zobrazuje

V katalogu

Zdroje

V životě: Maurits Cornelis Escher

Celý životopis
  1. 1954

    An exhibition for the Mathematical Congress

    In 1954, for the International Congress of Mathematicians in Amsterdam, an exhibition of Escher’s work organised by N. G. de Bruijn opened at the Stedelijk Museum; Roger Penrose and H. S. M. Coxeter were deeply impressed by his intuitive grasp of mathematics. The exhibition took up so much time that in 1954 Escher made only two works.

  2. 27 April 1955

    Knight of the Order of Orange-Nassau

    On 27 April 1955 Escher was made a Knight (fifth class) of the Order of Orange-Nassau; in 1967 Queen Juliana raised him to the rank of Officer.

  3. 1956–1960

    The Penroses and “impossible figures”

    “House of Stairs” (1951) attracted the interest of the mathematician Roger Penrose and his father, the biologist Lionel Penrose; in 1956 they published a paper on impossible objects and later sent Escher a copy. He replied, admiring their continuously rising flights of steps, and enclosed a print of “Ascending and Descending” (1960); he went on to use the Penrose triangle repeatedly, notably in “Waterfall” (1961).

  4. 1957–1959

    Coxeter and “Circle Limit”

    In 1957 the geometer Donald Coxeter, with Escher’s permission, used two of his drawings in a paper on crystal symmetry and sent him a copy; the figure of a hyperbolic tessellation, with tiles shrinking rapidly towards the edge of a circle, “gave him quite a shock” — here was a way to represent infinity on a plane. He called his experiments “Coxetering”; they gave the series of wood engravings “Circle Limit I–IV”, and in 1959 Coxeter concluded that they were accurate to the millimetre.

  5. 1958–1959

    Books on tessellations and on his own graphic work

    In 1958 came the book “Regelmatige vlakverdeling” (“Regular Division of the Plane”), on the systematic build-up of mathematical designs, and in 1959 “Grafiek en tekeningen” (“Graphics and Drawings”), in which Escher himself commented on 76 works. After reading it in 1959 Albert Flocon began a correspondence with the artist and wrote, with André Barre, the book “La Perspective curviligne”.

Všechna díla

Vystaveno: Národní galerie ve Washingtonu

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