Anthony van DyckVlámsko, 1599–1641Deposition
Je k vidění?
Nevíme
Kde je teď „Deposition“? Sbírka: Gemäldegalerie Berlin, Berlín. Zda je dnes vystaveno, nevíme.
Berlín, Německo
Vlastník je znám, dnešní vystavení nikoli.
- Tento stav platí od
- Zdroj
- Muzeum
O obrazu
The Deposition or Lamentation over the Dead Christ was a painting by the Flemish painter Anthony van Dyck, produced between 1629 and 1630. It measured 220 cm by 166 cm. Its final owners were the Kaiser Friedrich Museum then the Gemäldegalerie, Berlin, before it was lost (either missing or destroyed) in May 1945 in the Friedrichshain flak tower fire. A copy of the work is now in the Gedächtniskapelle of the Deutschordensmünster in Heilbronn.
Podrobnosti
- Inventární číslo
- 778
V katalogu
Zdroje
- Wikidata
- Obrázek: Gemäldegalerie Berlin — Anthony van Dyck · Public domain · Wikimedia Commons
V životě: Anthony van Dyck
Celý životopis1626–1632
The Iconography Print Series
After returning to Antwerp, Van Dyck conceived a large series of engraved portraits of his contemporaries, the Iconography; he etched eighteen plates himself, executing the preparatory drawings mainly between 1626 and 1633. The first edition (80 plates) appeared in Antwerp in 1632.
1629
Beginning of His Relationship with Charles I
Van Dyck's relationship with Charles I began in 1629: through the intermediary Sir Endymion Porter, the king acquired his painting Rinaldo and Armida.
by 1630
Court Painter to Archduchess Isabella
From 1630 Van Dyck was court painter to Archduchess Isabella Clara Eugenia of Habsburg, regent of the Spanish Netherlands; for her portrait he received a gold chain.
1632 · Působiště
London
1632
Post: court painter
5 July 1632
Principal Painter to King Charles I
On 5 July 1632 Charles I officially appointed Van Dyck principal painter to the king, guaranteeing an annual income of two hundred pounds sterling; the king gave him a large house with a garden on the banks of the Thames.
