Counted Out

In 1913 American Magazine commissioned Bellows to produce four drawings to accompany an article by L. C. Moíse recounting the fight between former lightweight champion Jimmy Nolan and his nemesis, Tornado Black. Counted Out is one of the four. When the fight started, the two men could hardly contain their hatred for one another, and the energy inside the ring fueled the frenetic audience. Just before the third round, Nolan realized he had “lost his punch,” and did everything possible to fend off Black’s fierce attacks. When he finally mustered his “last ounce,” he prevailed, and the “Tornado dropped senseless to the floor.” The four drawings together illustrate the entire event; the Art Institute’s sheet depicts Nolan’s moment of triumph. We don’t know whether Bellows actually attended the fight, but he faithfully adhered to many visual details in Moíse’s article, such as the long scar on Black’s face and Nolan’s disfigured ear, overly pronounced jaw, and dramatic pose.

For this drawing, Bellows used lithographic crayon, a medium he preferred for its ability to create rich gradations of black. He emphasized the theatricality of the scene by placing the viewer inside the ropes, using dramatic lighting that heightens certain faces in the crowd while obscuring others, and by exaggerating gesture, such as the referee’s wildly splayed arms and Black’s crucified pose. Finally, Bellows constructed the composition around a strong pyramidal shape formed by the three protagonists, which draws us into the action and directs our focus.