Café Singer, Edgar Degas, 1879
Edgar Degas, portrétEdgar DegasFrancie, 1834–1917

Café Singer

1879 · Oil on canvas

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Kde je teď „Café Singer“? Institut umění v Chicagu, Sál 226, Chicago. Ano, právě vystaveno. Ověřeno 2. listopadu 2026.

Institut umění v Chicagu

Chicago, Spojené státy americké

SálSál 226

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V životě: Edgar Degas

Celý životopis
  1. 1870s

    From “de Gas” back to plain “Degas”

    The archives disproved the legend of an ancient noble line: the artist's paternal ancestors were bakers, and the name “de Gas” was invented by his father, who commissioned a false genealogy. In the 1870s Edgar returned to the plain spelling, Degas.

  2. second half of the 1870s

    Pastel becomes his main medium

    Degas increasingly chose pastel, often combining it with monotype, lithography, etching or gouache. To keep the colour from darkening under ordinary fixatives he devised his own method of fixing and applied pastel in layers.

  3. 1877

    Friendship with Mary Cassatt

    Degas invited Mary Cassatt to show in the third Impressionist exhibition, having admired her portrait “Ida” at the Salon of 1874. He introduced her to pastel and engraving, while she helped him sell paintings and promoted his reputation in the United States.

  4. autumn 1879 – April 1880

    The prints journal: Degas abruptly withdraws

    In the autumn and winter of 1879–1880 Degas and Cassatt worked closely together on a prints journal; he owned a small printing press. In April 1880 Degas abruptly withdrew, and without his support the project folded.

  5. by 1880

    The end of his financial crisis

    By 1880 Degas had fully overcome his financial crisis and become a respected figure in the Paris art world; the Impressionist exhibitions, which proved commercially useful to him, helped.

  6. 1881

    “The Little Dancer of Fourteen Years” on show

    The nearly life-size wax figure with real hair and a cloth tutu, modelled on Marie van Goethem, provoked a strong reaction: critics found its realism extraordinary, but many denounced the dancer as ugly. It was the only sculpture Degas showed in his lifetime.

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Ve stejném sále · Gallery 226, Institut umění v Chicagu

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