Sadie BenningSpojené státy americké, 1973Bess
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Kde je teď „Bess“? Sbírka: Minneapoliský institut umění, Minneapolis. Momentálně není vystaveno. Ověřeno 9. listopadu 2026.
Minneapolis, Spojené státy americké
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O díle
Sadie Benning has worked primarily in video, exploring aspects of identity, memory, and loss that reflect the artist’s experiences as a gay youth. More recently, Benning has explored “construction” or “jigsaw” paintings and mixed-media works made from wood pieces individually cut and then reassembled into a relief. In Bess, Benning’s prominent use of crosses and circles reference the self-taught American painter Forrest Bess (1911–1977), who created a complex visual language to communicate his controversial ideas about transgender identity. In particular, Benning’s work appears to directly reference Bess’s painting Untitled #42 (1950), which depicts male and female genders as symbols of life and death. For Benning, Forrest Bess undoubtedly represents a pioneering figure for transgender identity and experimentation, making this work very much an homage to the late painter.
Minneapoliský institut umění
Podrobnosti
- Inventární číslo
- 2017.38
V katalogu
Zdroje
- Minneapoliský institut umění
- Obrázek: Minneapoliský institut umění — © Sadie Benning
